
The theme of the 2025 edition of höjdenfestivalen is ‘reprise’. The works shown are restaged versions and adaptations of their original form, with the aim to give more public life to works that have already been made and premiered. If it’s old its gold.
Festival dates: 31 October - 2 November 2025
The festival is made possible with support from Stockholm Stad and the International Dance Programme at the Swedish Arts Grants Committee.
Click this post to read more about the acts.
Festival ticket: 300/200kr on BILLETTO and at the door.
ONGOING 31/10-2/11
Opening Friday 17.00
Anouk Jouanne - photographic handprints [v]
Korina Kordova - flesh. stick. stone II [v]
Deike Ladwig - Vem är jag i denna värld? Vem vill jag vara? [v]
Nova Francis - sculpture, drawings [v]
Hanna Tebrand - det är en hårt spänd lina/eller en fint spunnen tråd/jag vet ännu inte skillnaden [v]
Kelly Whelan - sustainable life pop-up market
Pontus Pettersson - mirror mirror / play write
FRIDAY 31/10
18.30 Danskollektivet Dansbandet - one-trick PONY [d]
18.50 Britta Ohlsson - Sitting Practice with Graham Reading Interpretation and Water Lilies [d]
19.20 Josefina Pelosi - INTO MY KORE [d]
20.10 Ida Mirow - Bröllop [f]
20.30 Clara Ziegler - Family & Friends [m]
21.00 Artist talk
21.30 Jukka Korpi - Four eight [d]
22.00 Sara Soumah - An act of resistance [d]
22.40 Natalia Perea Santana - NATALIA: Stadium World Tour [d]
23.10 Mikhail Selivanov aka eardiod - dj set [m]
SATURDAY 1/11
15:00 Sonja Lindgren - Filmen sätter rummen i rörelse [w]
16.15 Petra Söör & Yari Stilo - On the other side of the throat [d]
16:30 Leah Landau - Goat Talk [d]
17.30 lander casier - Lonely, Horny & Bored [d]
18.00 Petra Söör & Yari Stilo
18.30 Theodor Hildeman Togner - Tioårsjubileum: läsning ur poesiboken Ut. [p]
18.45 Sandy Harry Ceesay (efter Fjodor Dostojevskij) - Vita nätter [d]
19.15 Johanna Tengan - Seeing in the Dark [d]
19.45 Petra Söör & Yari Stilo
20.05 Molly Engblom - Flimmer, pt. 1 [d]
20.30 Stina Ehn, Antonia Harke & Andreas Haglund - Det Stora Brevet [d]
20.45 Flimmer, pt. 2 [d]
21.30 Artist talk
22.10 Flimmer, pt. 3 [d]
22.30 Erik Valentin Berg - General Performance (sport edition) [d]
23.00 Hara Alonso - dj set [m]
SUNDAY 2/11
Ongoing from 14.00 Tova Gerge & Britta Kiessling - Is That Just a Knife or Are You Flirting with Me? [d]
12:00 Gloria Manzeyi - ödets koreografi [d]
12.40 Ofelia Jarl Ortega - StM [d]
13.20 Liz Kinoshita - Saga Saga [d]
14.15 Oda Brekke - A to A [d]
14.35 Jonathan Starr - BIRDS! [d]
14.45 Lisa Janbell - Breathing pedal [d]
15.10 Artist talk
15.40 Ellen Söderhult & Hara Alonso - DITTEN OCH DATTEN [m/d]
16:00 Julia Thelin - Three shorts about dance as resistance [f]
16.30 Tuija Roberntz - Några månader och några månader till [f]
17.00 Daniela Serafimova - Sorgen fick bli fri [m]
[d] dance/performance
[v] visual art/sculpture
[f] film
[m] music
[w] workshop
[p] poetry
Times are approximate.
The festival is made possible with financial support from Stockholms Stad and Konstnärsnämnden/The Swedish Arts Grants Committee.
The festival is curated and arranged by Liz Kinoshita, Stina Ehn, Molly Engblom, Ofelia Jarl Ortega and Sonja Lindgren. Graphic design: Sonja Lindgren.
Molly Engblom - Flimmer 2024
3 scenes, 5-15 min each, dance and poetry performance
In the eerie heart of Sthlm (Globen mall)
under the soggiest light
a love affair unfolds
Flimmer is a flicker of chats, bags, dogs, abandoned nail salons, power plays and long gone reality stars exploring femininity and love in, and beyond, the claw of capital.
At höjdenfestivalen, a performance in 3 scenes.
It’s my best friend and favorite accessory
This used to be a mall
Bags on our shoulders and under our eyes (versace gucci baguette bagage)
molly engblom is a dancer and choreographer living in Stockholm.
Choreography and performance: Molly Engblom
Thanks to Färgfabriken: Scenens syntax, Pralin Magasin, Kafé mix and all the others.
Ofelia Jarl Ortega - StM 2019
20 min, dance
In StM the border between performer and spectator is not a divide but an opening. It’s a place to talk about the evasive. It’s a space that pulses, yields and gives the spectator’s gaze a body.
Jarl Ortega examines the dramaturgy of the gaze as choreographic material and its potential as a tool of power, where the dancer’s voluntary objectification questions the participation of the observer.
Concept, choreography, music, dance: Ofelia Jarl Ortega
Costume and set design: Ofelia Jarl Ortega
Light: Christoffer Lloyd
Dramaturge: Frida Sandström
Music advisor: Tami T
Photo: Elie Iziamo
Co-production: Inkonst, MDT, Arsenic, Centre d’art scénique contemporain
Residency support: Arsenic (Lausanne), Danscentrum Syd
Supported by: The Swedish Arts Council
Korina Kordovaflesh. stick. stone II (2025) 2023
installation/ expanded choreography
flesh. stick. stone II is an invitation into documentation, traces and resonance of
alliances between humans and the ground as practices of transformation and
belonging. It brings together elements from a series of 3 installations exhibited in
Stockholm in 2023.
Korina Kordova is an artist working within the confluences of choreography,
dance, and performance.
Thanks to The Royal Institute of Art in Stockholm, På Sergels torg, Lusthuset in Spökparken, Galleri ID:I, Amalia Kasakove and Malcolm Jacobson.
These practices were developed on different political grounds, such as the Brazilian Amazon, the Netherlands, and a quarry in the south of Stockholm. The installation may be approached as a surface where material and incorporeal things make different geographies touch.
flesh. stick. stone II brings together elements from choreographic anarchiving: lithic – a series of 3 works exhibited in Stockholm in 2023, which unfolded from an artistic research project situated at the crossroad between choreography, feminist new materialisms, and anthropology beyond the human.
Korina Kordova (she/her) is a Stockholm-based artist working within the confluences of choreography, dance and performance. Her practice meets the public as live choreographic works, dance performances, scores in both written and aural forms, installations, publications, and workshops. Her work has been presented in performing arts venues, festivals, museums and galleries in Europe and South America. She’s interested in decolonial aesthetics, mythmaking and magic, and her practice resonates with feminist new materialisms and anthropology beyond the human. As a dancer/performer, she has worked with dance companies, independent choreographers and directors in Europe and the Americas for the last twenty years. She trained as a dancer in her native São Paulo (BR) and in the Netherlands, and earned a Masters in Performance Practices from ArtEZ University of the Arts (NL). In 2021 she undertook an internship in the Master in Choreography Program at Stockholm University of the Arts, and in 2023 she completed the Postmaster “Materialities; energies” at The Royal Institute of Art in Stockholm (SE)
Liz Kinoshita - Saga Saga 2024
30 min, dance
A solo shaped by resilience, remembrance, and resistance. Saga Saga pays tribute to the voices and bodies of women—past, present, and future. From reproductive rights to intimate testimony, this work honours female experience. Drawing inspiration from 'Caliban and the Witch' by Silvia Federici, Saga Saga weaves sad songs, stories, and embodied strength into an offering of solidarity and love.
Concept, Choreography, Performance: Liz Kinoshita
Light design: Tim Wouters
Costume design: Suelem De Oliveira Da Silva
Outside Eye: Fabián Barba
Music: Jonny Greenwood, Asa-Chang, Kotringo
Residencies: Dans i Blekinge (Ronneby), höjden studios (Stockholm), MDT (Stockholm)
Executive Production: Elin Arvidsson
With support from: Konstnärsnamnden
Sincere thanks to: Aileen Burns, Ariane Clark, Yumiko Funaya, Ray Kinoshita, George Lewis Jr, Salka Ardal Rosengren, Erik Nevin, Rebecka Stillman, Stina Nyberg, Anna Efraimsson, Izabel Lïnd, Therese Lïnd, Alice MacKenzie, Silvia Federici, Rebecca Yates
Anouk Jouanne - untitled 2022-2025
photographic handprints
Anouk Jouanne works within performance making & contemporary dance between the Nordics & London. She aims for her photography to act as a form of documentation & collaboration, capturing the form of dance in the moment that it is researched & rehearsed. Since 2022 she’s handprinted her work in open tray, finding the process adds to the aspects of tangibility & movement of the subject.
Image: In Our Now (2022) Dancers: Robyn Gamston & Madeleine Cole
Jukka Korpi Four eight 2024
30 min, dance
Four eight - Fyra åtta is a result of a very long-term solo dance project where the choreography is based on 480 pictures collected from newspapers in 10 different countries over a period of 10 years. Number 48 is constant in the work, but the choice of this quite neutral title is also based on a need to not give a lot of expectations and associations in advance, but let the dance speak for itself.
Jukka Korpi works broadly in different fields of arts, mainly in performing arts as a choreographer and director, but also as a writer.
Choreography & dance: Jukka Korpi
Music: Sten Sandell
Photo: Jessica Segerberg
Danskollektivet Dansbandet one-trick PONY 2025
15 min, dance
one-trick PONY is an explosive pop-up performance in an intimate format, created to take place in public spaces. A deceleration of love to the the immortal classics of the eurodisco era. An exploration of energy, absurdity and humor for everyone aged 0 to 100. A sweaty embrace in 137 BPM.
Dance & choreography: Martina Fischer, Love Andersson och Karin Raudsepp
Music mix: Eli Ulfhammer
Photo: Charles Ludvig Sjölander
With support from: Region Örebro Län
In collaboration with: Gula villan Järna och Stockholms konstnärliga högskola
Oda Brekke A to A 2015
13 min, dance
A to A' (2015) is a solo dance performance that explores movement as locomotion. The performer repeats a series of patterns that transport her through the space. Here walking, looking and mirroring are actions that become structures to frame periods of time.
Oda Brekke is a choreographer and performer based in Stockholm.
lander casier Lonely, Horny & Bored 2023
25 min, dance
A letter on being alone, Queer love and how to spend time without making plans. a performance built around an ongoing practice of continuously writing letters to not yet met loved ones, spaces that hold meaning & memories. Following a monologue of movement and speech solely based on the longing of not be a lonely body anymore.
Lander Casier,(he/they) is a Belgian born artist working with dance and choreography, currently based in Sweden as a freelance dance artist. As an Artist they hold the desire to stay small within their practice and performative work. Lander has worked with Norrdans from 2021 until 2025. Their choreographic work has been shared in various context around Sweden, Belgium, The Netherlands, Germany and Portugal.
Concept/performance/text: Lander Casier
Supported by Norrdans (SWE)
Not possible without the care and support from Chang (Leo) Liu & Jonathan Starr.
Lisa Janbell Breathing pedal 2025
15 min,dance performance
Breathing Pedal.
I breathe, I move. I breathe, I move. I breathe, I move.
A practice of breath in motion, amplified through microphone and voice pedal. An intimate corporeality and an expansive soundscape.
Lisa Janbell is a dance artist and choreographer. Her work weaves together ritual practices, techno music and electroacoustic soundscapes. She explores how choreography can open pathways to the transcendental, where the individual and the collective meet and dissolve.
Julia Thelin Three shorts about dance as resistance 2015-2019
25 min, short film
Three shorts about dance consists of two dance films and one short drama film. They all revolves around the body, sexuality and resistance in different ways. They are made by Julia Thelin who will be presenting the program at site. She is a director and screenwriter with a long time fascination as well as practice in dance and choreographic work. The films that will be shown are Lilla Olle (2020), Strong Hands (2015) and High beam (2015).
Josefina Pelosi INTO MY KORE 2025
30-40 min, dance/clown
INTO MY KORE is a movement research around and in deepness into menstrual cycle phases and the liminal space between. The performance explore simbolism and transformation. Cyclicity as a practice that can support and empower us as beings.
Josefina Pelosi is a transdisciplinary artist and pedagogue based in Stockholm. Her practice is based on Contemporary Dance, Physical Theater, Somatic Practices and Butoh. In the last years they are exploring choreography and the being clown. Josefina has collaborated with artists in Italy, Spain and Sweden. Recently she started a bachelor degree in Mime at Stockholm University of the Arts.
Clara Ziegler Family & Friends 2019
20-25 min, music, indiepop
Family & Friends is my first EP. I started making it as a music student at Umeå University. Making this EP was difficult, as I was learning how to produce music as I was making it, but it was also a very intuitive and playful process where I wasn't guided in any particular direction.
To this day, playfulness and fun is the foundation of my process. I’m very pleased to shed some light on these early compositions of mine, I think they show a strong passion for creating things and a willingness to learn as you go.
Clara Ziegler is an artist and music producer. She trained at Umeå University between 2017 and 2020 and now lives in Stockholm. Since the debut she has released more music, her sophomore EP “These are the good days” was released in November 2024.
Photo: Jessika Birgittasdotter Björhn
Ida Mirow Bröllop 2023
11 min 26 sek, video
Bröllop is a short story about an arranged marriage, first published in Pralin Magasin and featured in a live reading at Konträr in November 2023. In the video the story is read by the author.
Ida Mirow is a writer based in Stockholm. Her first book of poetry, Den mjukaste vännen, was published by It-lit in 2022.
Sandy Harry Ceesay (efter Fjodor Dostojevskij) Vita nätter 2025
15-25 min, play, performance
Vita nätter är en omskriven/ avskriven version av Fjodor Dostojevskijs berömda kortroman Vita nätter framförd av Sandy Harry Ceesay. Berättaren befinner sig i det bländande vita ljuset, och försöker navigera isolationen, och förälskelsen detta ljus försätter denne i.
Sandy Harry Ceesay (han/de) är en svensk-gambisk interdisciplinär konstnär, författare och curator. Centralt i deras konstnärliga undersökning är utforskandet av identitet, minne, marginalisering och makt, ofta betraktat genom ett queert och dekolonialt perspektiv. Efter att ha tagit examen som dansare från Amsterdam University of the Arts 2020 har deras konstnärliga praktik utvidgats till att omfatta flera olika medier såsom performance, måleri, teckning, video och text. År 2022 debuterade de med sin första roman Kärlekens Exil på Albert Bonniers Förlag. För närvarande arbetar de med sin andra roman, bland andra projekt.
Theodor Hildeman Togner Tioårsjubileum: läsning ur poesiboken Ut. 2015
5-10 min,poesiuppläsning
För att fira att debutpoesiboken Ut kom för tio år sedan läser författaren ett utdrag ur den. Boken handlar om blommor, flickor och dysfori, och blev nominerda till Borås Tidnings debutantpris.
Theodor Hildeman Togner är författare, redaktör och arbetar på bibliotek. I år sitter han även i jurygruppen för poesi i Prisma litteraturpris - ett nystartat pris för queer litteratur.
Sonja Lindgren Filmen sätter rummen i rörelse 2024
1 h, workshop, architecture, imagemaking
We make images, and in turn, images shape us. In this workshop we will investigate together the notion of domesticity as described in images and film. Does it influence the way we think of a home, relate to our home, perform at home?
As an architect, Sonja Lindgren explores ideas of the representation of architectural space, specifically the representation of domesticity, through film, image-making and scenography.
Open to all.
Language: Swedish or English.
Image: Aki Kaurismäki, modified by Sonja Lindgren
Hanna Tebrand det är en hårt spänd lina/eller en fint spunnen tråd/jag vet ännu inte skillnaden 2025
textile installation
Samling av texter om åtrå, tryckt med cyanotypi på sidentyg. Del av ett större utforskande, med ett zine nu under arbete.
Collection of texts on desire, printed in cyanotype on silk. Part of a broader exploration, with a zine currently in progress.
Saga Iveus Wenglert
Saga Stigsdotter
Venni Kaarto
Anki Ellenrieder
Disa R
Minda
Leah Landau Goat Talk 2025
50 min, dance/performance
Disguised as naive & ridiculous, Goat Talk escalates from an uncanny body-voice transfer into a sophisticated & daring physical commentary on the contemporary world & its hidden agendas.
Leah Landau (AUS) is based in Stockholm. She seeks to borrow roles & time-based structures from domains beyond dance, using them to create choreographic frameworks in which she & others can actively participate.
Choreography and text : Leah Landau
Performance: Lisa Schåman and Leah Landau
Sound design: Mark Bartha
Dramaturgy: Andrew Hardwidge (2025) and Luke George (2019)
Gloria Manzeyi ödets koreografi 2025
30 min, scenkonst
Projektet är tänkt som ett sceniskt ramverk där det komplexa, det osagda och det drömska i våra identiteter utforskas. Arbetet utgår från intervjuer som råmaterial, där jag ställt frågan till flera afrosvenskar: ”Hur upplever du din svarthet?” Svaren blev rika, motsägelsefulla och fulla av osynliga skikt. Utifrån dessa svar vill jag med rörelse som språk skapa en afrosurrealistisk föreställning, som gräver i skuggorna, firar dem och belyser svarta människors erfarenheter.
Hara Alonso & Ellen Söderhult DITTEN OCH DATTEN
15 min, concert/dance
Hara will play old music on the new piano at Höjden while Ellen will perform something new as well as things from both the recent and far away past. The performance will start in the dance studio and include materials by Purcell, Chopin and from the artists’ repertoirs.
Hara Alonso is a composer and musician whose music has been performed internationally.
Ellen Söderhult is a dancer and choreographer, with a current interest in the hauntedness of choreography.
Tuija Roberntz Några månader och några månader till 2025
30 min, loop, film
"Några månader och några månader till" är resultatet av ett pågående försök att, med hjälp av mobilkamera, närma sig och bli uppmärksam på vardagens miljöer.
Tuija Roberntz är journalist och studerar dokumentärfilm på Biskops arnö.
Pontus Pettersson mirror mirror / play write 2023-2025
sculpture, poem
words and meaning, action and display.
mirror mirror / play write is a collection of poems —
open-ended, behind the reflection.
scores, voices, and attempts.
Pontus Pettersson is a choreographer and artist working across a wide range of expressions and roles, caring for the present and all kinds of flows.
Photo: Ashik Zaman
Britta Ohlsson Sitting Practice with Graham Reading Interpretation and Water Lilies 2019
20 min, choreographic practice, poetry and sound composition
An exploration of time. Measured and experienced. With an interpretation of a text about Martha Graham's sitting practice by Melanie Clarke.
Britta Ohlsson is educated at Stockholms konstnärliga högskola in bodily and choreographic practices. Member of the interdisciplinary group Tvilling. My solo work is directed at practice rather than performance.
Britta Olsson - choreographic score, text, soundscape
Martha Graham / Melanie Clarke - choreographer / author of The Essential Guide to Contemporary Dance Techniques
Daniela Serafimova Music from upcoming album Sorgen fick bli fri 2025
15 min, acoustic folk/pop/jazz
Daniela Serafimova skriver pianobaserade låtar, där sång och text får stå i fokus. Texterna behandlar teman som sorg, hopp(löshet), kärlek och ursprung. Hon har en bakgrund inom Londons D'n'b-scen men arbetar idag med genres som sing-and-songwriter, folk och jazz. Daniela arbetar som lärare inom låtskrivande på Biskops Arnö och under våren 2026 kommer albumet ”Sorgen fick bli fri”.
Sara Soumah An act of resistance 2024
35 min, dance/poetry/film
Dancer and choreographer Sara Soumah explores what it means to resist as an individual when basic values regarding equality and human rights are violated, when fear and suspicion spread and get under the skin of society. Driven by a deep-rooted feeling that ‘I must act’. Gathering courage. Getting overwhelmed by the insight that it is a commitment against Goliath but still maintaining an indomitable faith that we can do better. No more silence.
Choreography, performance, film and concept: Sara Soumah
Music: Markus B Almqvist
Lighting design: Tobias Hallgren
Author of poems: Farida Al-Abani
Voices: Sara Soumah and Zoë Poluch
Artistic advisors: Louise Hultén and Thiago Granato
Rhythm, inner listening and the body's inherent traces are founding materials in Sara’s work. Educated at the Swedish Ballet School, the University of the Arts (SE) and Ballet Matam (GN). Sara is a founding member of the liveartgroup MELO Collective (SE) and has also worked with companies/choreographers like Per Jonsson Dance Company, Byteaterns Dans Ensemble and Destiny af Kleen to mention a few.
Johanna Tengan Seeing in the Dark 2025
20-25 min, spoken word, movement poetry
In this performance Johanna Tengan explores our collective shadow and how we have learned to suppress the darkness within us. Is there a possibility for seeing in the dark? Perhaps there is a possibility for embrace, for being able to surrender to the totality of what we are and seeing beauty in the dark. She explores the possibility of wholeness and the notion that we have both the light and dark within us. Through the use of spoken word, dance and music Johanna invites the audience into her musings on the state of the world and our humanity right now.
Dance & text: Johanna Tengan
Music: Conny Laxell
Photo: Shaon Chakraborty
Stina Ehn, Antonia Harke & Andreas Haglund Det Stora Brevet 2019
15 min, dance
To whom it may concern,
Here, a small sweet
The song is sung
eternal and patient
Romance translates how?
asked upside down
across the ceiling
eagerly crawling
Pleasure would never dream of anything like it, anyone like you
There,
The address
Through singing, advanced lifts, and repetitive phrases, ‘Det Stora Brevet’ experiments with means of address.
Stina Ehn, Antonia Harke and Andreas Haglund met during their studies in Dance and Choreography at the Danish National School of Performing Arts in Copenhagen, where this piece premiered in 2019.
By Stina Ehn, Antonia Harke and Andreas Haglund
Performed at Höjdenfestivalen by Stina Ehn, Antonia Harke and Philippa Felländer-Tsai
Erik Valentin Berg General Performance (sport edition) 2025
32 min, performance
General performance is an ongoing work presented as a performance without a core theme or finite process. The emphasis is on the performing of live music, and incorporates elements of dance and choreography, as always clad in the dark and palpable aesthetics of Erik Valentin Berg’s work. It’s a work that shapes through a direct meeting with conditions of the space and time, and aims to always incorporate the most current material and practices, renewing itself while remaining the same
Tova Gerge and Britta Kiessling Is That Just a Knife or Are You Flirting with Me? 2026
45 min, conversation, performative act
We are 2 artists inviting max 4 audience members to talk about 6 objects. With the audience, we come up with something that we want to perform and the audience wants to see. This is: Subjective artistic quality taken to its extreme.
The third part of our trilogy about consent after Someone You Trust and Passivity Rules/Memories of Being Hanged. A tryout for a project supported by Ottarfonden.
Makers and performers: Tova Gerge & Britta Kiessling
Process image: Ekaterina Lukoshkova
Coproducer: Skogen
Financial support: Ottarfonden.
Deike Ladwig Vem är jag i denna värld? Vem vill jag vara? 2025
sculpture
“En sagofigur träder fram i sin skörhet. Hon ler och sträcker ut armarna med värme mot världen. Öppet delar hon sin längtan och sin sorg. Hon sprider hopp, oväntat, genom sin sårbarhet och sin kärlek. Kraften hämtar hon ur jorden.”
Deike Ladwig, född 1979 i Hamburg, har under många år arbetat som ljusdesigner för offentliga rum. De senaste åren har hon valt att byta yrkesbana och utbildat sig till uttryckande konstterapeut och samtalsterapeut. Vid sidan av sitt arbete är hon även konstnärligt verksam på sin fritid.
Jonathan Starr BIRDS! 2020
7 min, dance
Both birds tilt their heads toward Jonathan, then back to each other. “Is that a bird?” “I don’t think so… but they’re trying their best.” Dancing to birds. Becoming a bird. Being a bird. BIRDS! is a solo originally danced as part of ‘Norrdans Takeaway’ in 2020. Newly updated, this work invites you to watch as Jonathan tries to become a bird.
Petra Söör and Yari Stilo On the other side of the throat 2025
10 min, performance with the touch of sound installation
Blowing, rivering and moaning. The room is getting a little warmer, autumnally humid.
This version, made especially for the Vilorum (resting room) at Höjden, invites three people at the time and it’s possible to book a slot directly on site. Petra and Yari have been working fragmentarily with the materialities of loss, feelings of mourning, changes of the flesh and emergences.
Performance by Petra Söör and Yari Stilo.
Mikhail Selivanov aka eardiod Dj set
1 h, minimal techno w/ reactive visuals
A relatively fast techno set accompanied by abstract geometry visuals is supposed to induce a feeling of "peace in motion".
In his art eardiod goes for abstract, but powerful meaning simple beats and imagery backed by heavy bass and kicks aiming at where hypnotic meets cathartic.
Natalia Perea Santana NATALIA: Stadium World Tour
30 min, performance
NATALIA: Stadium World Tour explores performance within the broader discourse of concerts, spectacle, and popular culture. Choreography functions not only as entertainment but as a critical tool for narrative construction and identity expression. Through selected performances and choreographic structures, the performance explores the integration of commercial dance vocabularies with theatrical and cinematic aesthetics.
































